Professor Joanita Vroom, together with the Royal Netherlands Institute in Rome (KNIR) offered the course Byzantine Rome in September 2023. The course, co-taught by Vroom, Letty ten Harkel and various guest lecturers, investigated the transition of the city of Rome from Late Antiquity to the Middle Ages,…

The description of a painting directly affects how children look at that artwork. This was discovered by psychologist Francesco Walker in the Rijksmuseum. Another finding presented in his article in Nature - Scientific Reports is that giving children information intended for adults has the same effect…

An X-ray scanner, some small metal balls, and a newly developed algorithm. That is all you need to make a 3D model that enables you to look inside art objects without dismantling them. Thanks to the research of Francien Bossema (Centrum Wiskunde & Informatica and Leiden Institute of Advanced Computer…

How wonderful would it be to use art, technology and science in Ukraine's recovery? Young Ukrainians currently residing in Poland get guidance to develop creative programmes and activities that can later be implemented. Leiden astronomers Pedro Russo and Kateryna Frantseva cooperate in the project.

I am thrilled to share the exciting news of being honored with the 2023 Early Career Award at the EUROTOX conference held in Ljubljana, Slovenia. This recognition, presented by ECETOC (European Centre for Ecotoxicology and Toxicology of Chemicals) and dedicated to the memory of Dr. Christa Hennes, holds…

This fall, LUCIS will have the pleasure of welcoming Professor Hugh Kennedy from SOAS University of London to Leiden. He is the fourth Abdulaziz Saud Al-Babtain Cultural Foundation Visiting Professor in Arabic Culture at Leiden University.

After the death of the Prophet Muhammad, the Islamic Empire expanded at a tremendous pace. Within a hundred years, it stretched from the Atlantic Ocean to the Indian subcontinent. How did such a rapidly conquered territory become one empire? Professor Petra Sijpesteijn has been awarded a Vici grant…

For my Policy in Practice research project, Elise van Dansik engaged with a problem that Leiden ‘Social Domain’ policy officers saw themselves confronted with, which was why migrant organizations of Slaaghwijk (a socio-economically disadvantaged neighborhood in Leiden’s north) do not cooperate with…

Lecture, Workshop

The way the great masters of the sixteenth and seventeenth centuries learned to draw is more similar to a present-day drawing class or book than you might think. Professor of ‘Art on Paper and Parchment’ Yvonne Bleyerveld tells us about the art of copying and model books.

Ornately decorated head pieces and jewellery, images of imposing mosques and photos of local people. The 'Splendours of the Silk Roads' exhibition depicts life and different cultures along this important trade route.

Fanny Wonu Veys was appointed Professor of Art and Material Culture of Oceania on 1 August. Time for an introduction.

A passion for video games, visuals and science: it almost seems impossible to bring all of this together. Yet, scientific animator Vera Williams found that dream combination at NeCEN's microscopy lab. 'An image or animation can help clarify the content of complex research.'

Koen de Ceuster, university lecturer for Korea Studies at the Leiden University Institute for Area Studies, was interviewed on the NKNews Podcast about art in North Korea. He speaks about the role of art in North Korean society, art ‘business’, and argues why it is not possible to separate propaganda…

What effect do trends in the art world have on the formation of museum collections? University lecturer Martin Berger wants to answer that question in his research within the Museums, Collections and Society project, which asks ethical questions about the origin of collections.

What practical steps can we take to resolve cross-border claims to looted art and prevent illicit trafficking in cultural goods? That's what the European Parliament asked Leiden legal scholar Evelien Campfens. Her advice: develop a registration system, issue art with a ‘passport’ and set up a European…

There are as good as no clear rules for the return of stolen art. This means that rather than in court, many cases are decided in the political arena instead. In her PhD research Evelien Campfens suggests how this could change. PhD defence on 11 November.

This masterclass examines the idea of disegno in relation to the early modern decorative arts by investigating the collection of Italian design drawings in the Rijksmuseum. Meaning both design and drawing, disegno was a fundamental concept in the development of artistic theory in early modern Europe…

Education, ICT

In an article by the New York Times, cultural heritage law specialist Evelien Campfens discusses the difficulties surrounding the ownership of looted art.

Always wanted to go to a real art auction? Now’s your chance! On 15 February over a hundred works from the LUMC’s art collection will go under the hammer. ‘It’s great fun just to be there, regardless of whether you buy anything,’ says dean and auctioneer Pancras Hogendoorn.

An international team of astronomers has discovered a large reservoir of hot gas in the cluster-in-formation around the Spiderweb Galaxy. Based partly on that hot gas, the astronomers predict that the cluster-in-formation will grow into one of the largest objects in the universe. A step closer to discovering…

People in the Early Bonze Age used bronze artefacts as a means of payment. This is the conclusion reached by archaeologists Maikel Kuijpers and Catalin Popa in a PLOS ONE article published on 20 January.

There’s a change of staff at ACPA. The institute is bidding farewell to Professor Janneke Wesseling and welcomes Anke Haarmann, who is not only a new professor, but will also take over Wesseling's responsibilities as Director of PhD Arts. In this interview we look back and ahead with them.

A team of researchers has dated a prehistoric painting in Indonesia to at least 51.200 years ago, they have proposed in a study that this painting is the oldest known example of “figurative” art.