The present study aims to establish and develop guidelines for effective use of the classical guitar’s scoring potential.

This dissertation derives from the development of tools for algorithmic composition which extract pitch materials from sound signals, analyzing them according to their timbral and harmonic properties, putting them into motion through diverse rhythmic and textural procedures.

In 2016, Leiden University hosts the monthly meetings of the Music and Cultural Analysis reading group.

Under the umbrella of a recently NWO grant focused on using AI to increase quality of life for people with dementia, Rebecca Schaefer’s Music, Brain, Health Technology group will collaborate with TU Delft to co-create social agents focusing on musical interactions together with people with dementia.

Through the Academy of Creative and Performing Arts, multiple gifted bachelor and master students of Leiden University and the University of the Arts The Hague can fully develop both their artistic and academic talents by choosing academic or artistic minors or electives.

On February 8 the 443rd dies natalis will take place in the Pieterskerk in Leiden.

Tapping to a rhythm, recognizing sound patterns and enjoying music: For people, it is common sense. But is this also the case for animals? It is the research topic of Michelle Spierings, a researcher at the Institute of Biology Leiden, and it is nominated for the Klokhuis Wetenschapsprijs.

In 2016, Marcel Cobussen successfully applied for two trainee positions at ACPA, funded by the Humanities Research Traineeship Programme at Leiden University. One of the results, a multi-media essay 'In Search of the Public. Exploring Contemporary Performance Practices of Classical Music in The Netherlands'…

Prof. dr. Marcel Cobussen has published a free e-pub: The Field of Musical Improvisation.

On November 5, 2021, Guy Livingston will present at an International Colloquium at the University of Lorraine (France), entitled:

The Organ Art of the first female German concert organist and Bremen Cathedral organist and

ACPA’s PhD candidate and composer/flutist Ned McGowan will give a lecture at Café Chercher on March 27 called Speed in Music, Brain and Body.

Leiden researchers from different disciplines look together at complex social problems. What happens when they join forces with artists? The results could be seen on Tuesday 11 June during a unique exhibition. Take a look for yourself:

PhD candidate Magda Pucci studied indigenous music in Brazil. She and her group Mawaca travelled through the Amazon and played with peoples there such as the Paiter Suruí, Kayapó, Ikolen-Gavião and the Huni-Kuin. PhD defence on 19 March.

How might viola and string quartet playing in the performer-centered, moment-to-moment and communicative style heard on early recordings be brought about today?

ACPA PhD Candidate Gabriel Paiuk will be guest speaker at the coming UNM – Young Nordic Music Days to take place in Aarhus, Denmark in August 2021.

Rebecca Schaefer received the new science communication grant for the SNAAR Festival in December 2020. With the festival, Schaefer wants to make music and science accessible to a wide audience. How exactly? That's what she tells in this issue of Humans of Psychology.

Apart from his activities as coordinator of the Academy of Creative and Performing Arts, Rogier Schneemann is co-founder, guitarist and composer of the Dutch-Italian group Azure Hiptronics, originally formed in 2006.

In this research project Nizar Rohana analyzes and reflects on taqsīm recordings by two leading figures of ‘ūd playing who were pillars of modern Arabic music, namely the Egyptians Muḥammad al-Qaṣabjī (1898-1964) and Riyāḍ al-Sunbāṭī (1906-1981).

On the occasion of the 440th DIES NATALIS, celebrated on Monday 9 February, Leiden University proudly awarded an Honorary Doctorate to William Christie, renowned harpsichordist, conductor, musicologist and teacher, and the foremost pioneer in the renewed appreciation of Baroque music in France, notably…

Baroque flautist Jed Wentz followed two years of dancing classes in order to develop the right feeling for the gestures required for the Baroque French opera genre ‘tragédie en musique’. In his dissertation, the links between gesture affect and rhythmic freedom in the performance of the tragédie en…

Now and then we organise book launches to present the latest publications, both academic and popular, in our broad field.

Five years after the Arab Spring it seems as if the only sign of success is in Tunisia. But is that really the case? The Leiden University Centre for the Study of Islam and Society (LUCIS) is organising a panel discussion on this topic on Friday 12 February.

In our culture, vocal harmonics function as independent musical elements since only a few decades. Thresholds of the audible explores the changing relationship between singers, listeners and harmonics.

In addition to his Film and Literature Studies, Bob van Oosterhout is a bassoonist with several orchestras. He is going to Milan with the student choir and orchestra ‘Collegium Musicum’.

With her debut album ‘Itaala’, the multicultural Shishani & The Namibian Tales are taking the Dutch music scene by storm. The album, which was crowned by Mixed World Music as the best Dutch World Music Release, merges different musical traditions to create an unprecedented new genre. Shishani Vranckx,…

On 7 March, Carlos Roos (lecturer, philosopher, researcher) gave a talk about popular music at Utrecht University, organized by the education committee of Study Association Hucbald (Musicology at Utrecht University).

As the year draws to a close, many music lovers are looking forward to the Top 2000. How high is their favourite song and who is number one? But the list is often very predictable and the same songs are always in the top 10. According to neuropsychologist and associate professor Rebecca Schaefer, it’s…

How does music affect a test subject’s brain? That was just one of the questions on the minds of the people who came to the LIBC public day to hear Rebecca Schaefer’s talk, as well as to hear from other top researchers about their investigations into music. The five woodwind players in the Calefax reed…

A new chair has been added to the partnership between Leiden University and the Royal Conservatoire The Hague. Richard Barrett has been appointed Professor of Research in Creative Music (ACPA) as of 1 December 2020. 'For me it is important that music and academia are not placed in an ivory tower.'

Charles wrote an article 'Assimilating Afro Caribbean Carnivalesque Culture' for the publication 'Understanding América. The essential contribution of Afro-American music to the sociocultural meaning of the continent'

A MOOC (Massive Open Online Course) is a free online course available for anyone to enroll. The Orpheus Institute announces its first MOOC on Artistic Research in Music, which will offer an introduction to the most relevant research tools, techniques and methodologies as well as the key concepts of…

ACPA PhD Marina Liontou Mochament will host an online workshop in April.

What impact does growing up in a musical environment or during the COVID-19 pandemic have on the brain development of teenagers? This was the focus of psychologist Lina van Drunen’s PhD research, which studied hundreds of twins. Her findings reveal that practising music slows brain development, presenting…

New research project “(Musical) Improvisation and Ethics”, recently awarded 1.7 million Euros by the Austrian Science Fund (FWF)’s Young Independent Researcher Group program.

On Tuesday 22 November 2016 at 4.15 PM Clarence Charles will publicly defend his dissertation entitled Calypso Music, Identity and Social Influence:The Trinidadian Experience at the Academiegebouw in Leiden!

On Sunday, April 23, 2023, Prof. dr. Sarah Cramsey, Special Chair for Central European Studies, gave a special lecture alongside the Practicum Musicae Orkest at the Cultuurhuis de Paulus in Oegstgeest.

Book publication 'Artistic Research in Music: Discipline and Resistance' marks the 20th anniversary of the Orpheus Institute..

Anna Scott (ACPA) contributed to the book Rethinking Brahms, edited by Nicole Brahms and Reuben Philips, with a chapter about performance and embodiment in Brahms’s chamber music with piano.

The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.

To complement scholarly knowledge with journalistic insights, LUCIS regularly invites journalists to share their perspective on current events.

Between 1600 and 1800 countless manuals appeared on the subject: the improvised bass part on the harpsichord, pianoforte or organ. Musician and researcher Kathryn Cok unravels the secrets of the Dutch basso continuo accompaniment for modern-day musicians.

Maarten Feteris, the former president of the Court of Appeal and an alumnus of Leiden University, composed the piece ‘Intermezzo’ to mark the transfer of the rectorate during the Dies Natalis on 8 February 2021.

Do the sounds that surround you as you cycle through the city sometimes annoy you? Don’t worry, because we can actively change the situation, says sound expert Edwin van der Heide. Students in his Honours Class are actively shaping the sound of the city.

ACPA researchers Ned McGowan and Guy Livingston perform The Speed of Silence at the Maastricht University 's digital symposium Towards 2040: Creating Classical Music Futures.

Marcel Cobussen wrote the essay “Listening as a Multisensorial Experience” for The Oxford Handbook of Western Music and Philosophy.

This book is witness to Hendrik Vanden Abeele’s research into the development, construction and creation of a present-day performance practice of late medieval plainchant, based partly on his work with the Belgian chant group Psallentes.