Two statues of gorillas abducting women: they were what led PhD candidate Dick van Broekhuizen to write a new type of history of nineteenth-century sculpture. ‘If you view nineteenth-century art history from a less narrow perspective, the narrative changes completely.’ PhD ceremony on 21 June.

A successful series of lectures on interior design, a symposium on four-poster beds and a new series of study afternoons on the horizon. University lecturer Alexander Dencher knows how to hold the attention of a growing audience. How does he do it? And what makes the history of interior design so fa…

Long into the 19th century, seascapes were considered an expression of patriotism. Artists who painted in a 17th century style were valued more. This tradition stifled innovation in the genre, Cécile Bosman has concluded. She will defend her PhD thesis on 13 October.

If a forged Vermeer or Rembrandt is discovered, it is world news. Yet tracing fakes has long been a low priority in art history. University lecturer Anna Tummers will receive an ERC grant of almost two million euros to change that.

GIFs, memes and videos: anyone who opens a social media platform can be in no doubt that today we live in a visual culture. But the role of images in social communications isn’t new, says Associate Professor Marika Keblusek. She has been awarded a Dutch Research Council (NWO) Open Competition (Large)…

The way the great masters of the sixteenth and seventeenth centuries learned to draw is more similar to a present-day drawing class or book than you might think. Professor of ‘Art on Paper and Parchment’ Yvonne Bleyerveld tells us about the art of copying and model books.

Assistant professor Stephanie Noach has won the Dissertation Prize of the Praemium Erasmianum Foundation. She is receiving this prestigious prize for her research on darkness in contemporary art from Latin America and the Caribbean.

Geert-Jan Janse has always been fascinated by the way objects can bring the past closer. On 16 November, he will present a Museum Talk about his work as the director of the Vereniging Rembrandt (Rembrandt Association).

For her research, PhD candidate Liselore Tissen put one famous painting after another through a 3D scanner. The resulting reproductions were indistinguishable from the originals. But what does this mean for our interpretation of art?

Professor Caroline Vout, Cambridge University, was awarded the Leiden University Byvanck Chair in 2020. In a pre-Covid-19 world, the Byvanck Chair would stay in Leiden for seminars, lectures, and research activities. Instead, the pandemic disrupted this schedule. Last month, Vout taught her masterclass…