63 search results for “art history” in the Public website
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Caroline Gräfin von Courten
Faculty of Humanities
c.j.v.grafin.von.courten@hum.leidenuniv.nl | 071 5272727
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Juliette Roding
Faculty of Humanities
j.g.roding@hum.leidenuniv.nl | +31 71 527 2727
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Caroline van Eck
Faculty of Humanities
c.a.van.eck@hum.leidenuniv.nl | +31 71 527 2727
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Doreen Müller
Faculty of Humanities
d.mueller@hum.leidenuniv.nl | 071 5274954
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Stijn Bussels
Faculty of Humanities
s.p.m.bussels@hum.leidenuniv.nl | +31 71 527 2693
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The Secret Lives of Art Works
The Secret Life of Art Works. Exploring the Boundaries between Art and Life is the first collection of essays to present case studies from the visual arts, architecture, sculpture and numismatics, and to engage critically with theoretical perspectives from art history, psychology, aesthetics and ant…
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Stijn Bussels appointed professor of Art History pre-1800
On 1 November, Stijn Bussels assumed his role as professor of Art History, especially before 1800 at Leiden University. The chair is located at the Leiden University Centre for the Arts in Society (LUCAS).
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Gorillas abducting women leads to new art history
Two statues of gorillas abducting women: they were what led PhD candidate Dick van Broekhuizen to write a new type of history of nineteenth-century sculpture. ‘If you view nineteenth-century art history from a less narrow perspective, the narrative changes completely.’ PhD ceremony on 21 June.
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The art of religion: Sforza Pallavicino and Art Theory in Bernini's Rome
Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino's writings offers a new perspective on Bernini's art and artistry and allow us to understand…
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Newly appointed Art History professor, Minna Valjakka: 'Art teaches us more than you may think'
On 1 January Minna Valjakka was appointed Professor of Contemporary Art History and Theory from a Global Perspective. Valjakka sees her appointment as 'extremely topical' because of the discussions about the decolonisation of the arts: 'Art teaches us not just about art, but also about contemporary…
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Hans Janssen
Faculty of Humanities
h.l.janssen@hum.leidenuniv.nl | +31 71 527 2682
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Barbarism: History of a fundamental European concept and its literary manifestations from the 18th century to the present
This collaborative project aims to explore the history of the concept “barbarism” in Europe from the 18th century to the present, with a particular emphasis on the role of literature and art in the concept’s shifting functions.
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NWO Graduate programme: Arts in Society
Exploring cultural production in Europe, Latin America and Africa, the institute’s research programme focuses on the continuous interconnectedness of the Arts and Society in both the textual culture of literature, learning and public debate and the visual culture of art, architecture, film, photography…
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KIGS - Kommunikationsmuster in den Geistes- und Sozialwissenschaften
KIGS is a research project on communication patterns in the social sciences and humanities. Counting of publications and citations are common methods to measure international scientific impact. Based on citation analyses, various calculation methods and indicators have developed in recent years. However,…
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Alverata, a present-day, European typeface with roots in the middle ages
The subject of this thesis is Alverata, a twenty-first-century typeface whose design was inspired by the shapes of Romanesque capitals such as those found in inscriptions of the eleventh and twelfth centuries.
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of El Greco: The Nationalization of Culture Versus the Rise of Modern Art (1860-1915)
The Discovery of El Greco: The Nationalization of Culture Versus the Rise of Modern Art (1860-1915)
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Barbarism and Its Discontents
This study interrogates contemporary and historical uses of barbarism, arguing that barbarism also has a disruptive, insurgent potential.
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The Third Avant-garde: contemporary art from Southeast Asia recalling tradition
How are contemporary art practices from Southeast Asia negotiating notions of art and tradition?
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Bruno Munari and the invention of modern graphic design in Italy, 1928-1945
Bruno Munari (1907–1998) was a prolific and influential artist, designer, and writer. Alessandro Colizzi’s study is the first extensive, detailed record of Munari’s graphic design production, and as such provides a substantial base for a full understanding of his oeuvre.
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Elevated minds: The Sublime in the public arts in 17th-century Paris and Amsterdam
The aim of this project is to study the influence of Longinus’s treatise ‘On the sublime’ on practice and theory of architecture and theatre in seventeenth-century Paris and Amsterdam.
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Germany and Maillol
Dutch Title:
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The poet as pop star. Literary celebrity in the Netherlands 1780-1900
In which way was literary celebrity constructed in the nineteenth century and what forms of fandom were there?
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A Selection of the Poems of Sir Constantijn Huygens (1596-1687)
A Selection of the Poems of Sir Constantijn Huygens (1596-1687) was published in July 2015, edited and translated by Adriaan van der Weel and Peter Davidson.
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Robert Zwijnenberg
Faculty of Humanities
r.zwijnenberg@hum.leidenuniv.nl | +31 71 527 2727
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Barbarism Revisited: New Perspectives on an Old Concept
The figure of the barbarian has captivated the Western imagination from Greek antiquity to the present. Since the 1990s, the rhetoric of civilization versus barbarism has taken center stage in Western political rhetoric and the media. But how can the longevity and popularity of this opposition be accounted…
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The Animated Image. Roman Theory on Naturalism, Vividness and Divine Power
The Animated Image addresses the entire range of contexts in which images were described by Roman authors as being animated, as well as the accounts that Roman writers produced to explain the animation of inanimate matter.
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Liselore Tissen
Faculty of Humanities
l.n.m.tissen@hum.leidenuniv.nl | 071 5272727
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Leonor Veiga de Oliveira Matos Guilherme Ponsar
Faculty of Humanities
l.veiga.de.oliveira.matos.guilherme@hum.leidenuniv.nl | +31 71 527 2727
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Photographs & Preservation. How to save Photographic Artwork for the Future?
How can we understand the material instability of photographic (mixed media) artworks (1960s - present) from an integrated approach of Art History, Conservation Science and Chemistry in order to preserve these works for the future?
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The building as book as a new origin of architecture
Subproject of
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Primitivism and architectural theory
Subproject of
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The quest for the legitimacy of architecture in Europe (1750-1850)
This programme aims to identify the intellectual contexts that were of importance for the architectural theory of the period, and especially to clarify the relation of architectural theory to primitivism.
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Cultural Representations of Living Nature: Dynamics of Intermedial Recording in Text and Image (ca. 1550-1670)
This project investigates the transposition of natural historical material, knowledge and vision, between different media (collection, scientific drawing, academic texts, the visual arts and/or literature) – a transmission that happens in the borderline between the traditional, emblematic worldview…
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Overwhelming Architecture in Amsterdam in the Seventeenth-Century
The hypothesis of this research is that the municipality used the impressive the Town Hall to enforce its rule and represent its political ideas and make use of sources such as biographies, poems, pamphlets, sermons and governmental documents.
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The idea of the primitive hut
Subproject of
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Reading and Transferring the Sublime. The Scholarly Reception and Political Relevance of the Sublime in the Dutch Golden Age
This research will investigate which aspects of On the sublime received attention in the intellectual milieu of the seventeenth century and how the sublime found its way in the political and artistic discourse of that time. Thus I aim to shed light on the role of art in politics and society in this…
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Never-Neverland Revisited: Malay Adventure Stories
This study presents a re-evaluation of Malay adventure stories.
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The Turn of the Soul
The Turn of the Soul: Representations of Religious Conversion in Early Modern Art and Literature
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Alexander Dencher: ‘I want to give new elan to the study of applied arts’
A successful series of lectures on interior design, a symposium on four-poster beds and a new series of study afternoons on the horizon. University lecturer Alexander Dencher knows how to hold the attention of a growing audience. How does he do it? And what makes the history of interior design so fa…
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Caroline van Eck appointed as Slade Professor in Oxford
The Department of History of Art in Oxford has appointed Leiden University professor Caroline van Eck as Slade Professor of Fine Art for the second semester of academic year 2016-2017. As Slade Professor Van Eck will spend a semester in office at Oxford University and deliver eight public lectures and…
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Dominant style stifled innovation in 19th century seascapes
Long into the 19th century, seascapes were considered an expression of patriotism. Artists who painted in a 17th century style were valued more. This tradition stifled innovation in the genre, Cécile Bosman has concluded. She will defend her PhD thesis on 13 October.
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Is it a fake or not? Time for a new kind of connoisseurship
If a forged Vermeer or Rembrandt is discovered, it is world news. Yet tracing fakes has long been a low priority in art history. University lecturer Anna Tummers will receive an ERC grant of almost two million euros to change that.
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Modern and Contemporary (1800−Present)
This research cluster centres on regional, national, and global intersections and interactions between a variety of artistic expressions and society. It focuses not only on objects (artistic, literary, cinematic, and medial), but also on practices (aesthetic, political, and cultural).
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The intimate voice of the Russian Avant-garde: adapting the aesthetic self and the rise of Socialist Realism
This proposed research uses ego-documents from visual artists that were not intended for publication to reassess the scholarly debate on the demise of the Russian Avant-garde aesthetic in the twenties and early thirties of the 20th century.
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Ruchama Noorda Doctoral Degree
PhDArts candidate Ruchama Noorda will graduate on Wednesday 9 December 2015
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NWO grant for the Facebook of the past: ‘Circulating images aren’t new’
GIFs, memes and videos: anyone who opens a social media platform can be in no doubt that today we live in a visual culture. But the role of images in social communications isn’t new, says Associate Professor Marika Keblusek. She has been awarded a Dutch Research Council (NWO) Open Competition (Large)…
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Playing with light and shadow
Depictions of Rembrandt, Michelangelo and many other artists are given a new dimension in an exhibition in the hall of the Oude UB at Leiden University. The exhibition - 'Multiple Images' - opens officially on 15 February. Artist Rudi Struik has given the slides of Leiden art historian Henri van de…
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Exhibition on Celebrating Curiosity: Four centuries of university history
Fascinating images, articles of clothing and other unique objects from the past four centuries of the history of Leiden University can now be seen in the ‘Celebrating Curiosity’ exhibition in the hall of Rapenburg 70.
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Le roi sublime. Overwhelming Politics and Performance under Louis XIV
This project will clarify how these concepts operated in theoretical writings on performance ,this broadened conceptual framework will not only give us a clear view on how sublime effects in performance were theorized, it will also provide us a concrete apparatus to understand the cultural and political…
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‘Drawing for Dummies’, but in the Renaissance
The way the great masters of the sixteenth and seventeenth centuries learned to draw is more similar to a present-day drawing class or book than you might think. Professor of ‘Art on Paper and Parchment’ Yvonne Bleyerveld tells us about the art of copying and model books.