848 search results for “music” in the Public website
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Guy Livingston
Faculty of Humanities
g.p.livingston@hum.leidenuniv.nl | +31 71 527 2727
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The globalisation of language in popular music lyrics: A critical approach.
On 7 March, Carlos Roos (lecturer, philosopher, researcher) gave a talk about popular music at Utrecht University, organized by the education committee of Study Association Hucbald (Musicology at Utrecht University).
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ACPA alumnus Clarence Charles on functions of calypso music as a cultural expression
Charles wrote an article 'Assimilating Afro Caribbean Carnivalesque Culture' for the publication 'Understanding América. The essential contribution of Afro-American music to the sociocultural meaning of the continent'
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inspiration: Rhythm, Improvisation and Creativity in contemporary modal music"
ACPA PhD Marina Liontou Mochament will host an online workshop in April.
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Orpheus Institute announces the first MOOC on Artistic Research in Music
A MOOC (Massive Open Online Course) is a free online course available for anyone to enroll. The Orpheus Institute announces its first MOOC on Artistic Research in Music, which will offer an introduction to the most relevant research tools, techniques and methodologies as well as the key concepts of…
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(Musical) Improvisation and Ethics project awarded 1.7 million Euros by Austrian Science Fund
New research project “(Musical) Improvisation and Ethics”, recently awarded 1.7 million Euros by the Austrian Science Fund (FWF)’s Young Independent Researcher Group program.
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PhD defense: Calypso Music, Identity and Social Influence:The Trinidadian Experience
On Tuesday 22 November 2016 at 4.15 PM Clarence Charles will publicly defend his dissertation entitled Calypso Music, Identity and Social Influence:The Trinidadian Experience at the Academiegebouw in Leiden!
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Case study Käte van Tricht (1909-1996)
The Organ Art of the first female German concert organist and Bremen Cathedral organist and
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Publication: Artistic Research in Music: Discipline and Resistance - Artists and Researchers at the Orpheus Institute
Book publication 'Artistic Research in Music: Discipline and Resistance' marks the 20th anniversary of the Orpheus Institute..
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Play Well with Others: Performance and Embodiment in Brahms’s Chamber Music with Piano
Anna Scott (ACPA) contributed to the book Rethinking Brahms, edited by Nicole Brahms and Reuben Philips, with a chapter about performance and embodiment in Brahms’s chamber music with piano.
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‘Ūd Taqsīm as a Model of Pre-Composition
In this research project Nizar Rohana analyzes and reflects on taqsīm recordings by two leading figures of ‘ūd playing who were pillars of modern Arabic music, namely the Egyptians Muḥammad al-Qaṣabjī (1898-1964) and Riyāḍ al-Sunbāṭī (1906-1981).
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The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to Rameau
Baroque flautist Jed Wentz followed two years of dancing classes in order to develop the right feeling for the gestures required for the Baroque French opera genre ‘tragédie en musique’. In his dissertation, the links between gesture affect and rhythmic freedom in the performance of the tragédie en…
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Former Court of Appeal president composes music for transfer of rectorate
Maarten Feteris, the former president of the Court of Appeal and an alumnus of Leiden University, composed the piece ‘Intermezzo’ to mark the transfer of the rectorate during the Dies Natalis on 8 February 2021.
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Thresholds of the audible
In our culture, vocal harmonics function as independent musical elements since only a few decades. Thresholds of the audible explores the changing relationship between singers, listeners and harmonics.
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Musical Jazz
Arts and leisure, Arts and leisure
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Speed of Silence at Maastricht Centre for the Innovation of Classical Music (MCICM) Symposium, Towards 2040
ACPA researchers Ned McGowan and Guy Livingston perform The Speed of Silence at the Maastricht University 's digital symposium Towards 2040: Creating Classical Music Futures.
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'Listening as a Multisensorial Experience' in The Oxford Handbook of Western Music and Philosophy
Marcel Cobussen wrote the essay “Listening as a Multisensorial Experience” for The Oxford Handbook of Western Music and Philosophy.
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Bert Mooiman receives NWO doctoral scholarship
On 20 December 2013, the Netherlands Organisation for Scientific Research (NWO) announced that 37 teachers will be conducting doctoral research funded by a Doctoral Scholarship. Using this scholarship, teachers are enabled, in addition to their educational activities, to conduct research leading to…
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Lecture: Rediscovering an Indian musical tradition- a journey from melody of the present to notation of the past
On April 19th, well-known Indian singer and scholar Sumithra Vasudev will give a unique lecture and singing performance at the Rijksmuseum van Oudheden (National Antiquities Museum) in Leiden.
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Giovanni Girolamo Kapsperger: life and work with special attention paid to basso continuo
The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.
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Basso continuo sources from the Dutch Republic c. 1620-c1790
Between 1600 and 1800 countless manuals appeared on the subject: the improvised bass part on the harpsichord, pianoforte or organ. Musician and researcher Kathryn Cok unravels the secrets of the Dutch basso continuo accompaniment for modern-day musicians.
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What late medieval chant manuscripts do to a present-day performer of plainchant
This book is witness to Hendrik Vanden Abeele’s research into the development, construction and creation of a present-day performance practice of late medieval plainchant, based partly on his work with the Belgian chant group Psallentes.
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Language and number
Knowledge and culture subproject 2:
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Gabriel Paiuk
Faculty of Humanities
g.paiuk@kunsten.leidenuniv.nl | +31 71 527 7450
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Lina van Drunen
Faculteit der Sociale Wetenschappen
l.van.drunen@fsw.leidenuniv.nl | +31 71 527 2727
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Interview with Hafez Ismaili m'Hamdi about his course 'From Plato to Pussy Riot'
In the interview by Manu Sinjan, published in Eos Memo, Hafez Ismaili m'Hamdi addresses questions about the changing role of music in society through history, which is also the topic of his course 'From Plato to Pussy Riot'.
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Georgios-Evgenios Douliakas
Faculty of Humanities
g.e.douliakas@hum.leidenuniv.nl | +31 71 527 2727
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Malay Singing in Pahang Villages: Identity and Practice
Shafa’Atussara Silahudin defended her theses on 18 May 2021.
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Musical (Singing/dance/theater) | Intermediate/advanced
Arts and leisure, Arts and leisure
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Musical (singing/dance/theater) | beginners/intermediate
Arts and leisure, Arts and leisure
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RED: final presentations Theatre, Music and Dance
Arts and leisure, Arts and leisure
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Book launch ‘The promise of music’
Arts and culture, Book launch
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Education
Connect art and academia at ACPA
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Between oral and written tradition- Reconstructing 'lost' singing practices of Quattrocento Italy
What kinds of vocal music were not typically transmitted in written musical notation? Can specific ‘lost’ song forms - siciliane, giustiniane, le Grechesche, gli stili “regionali“ nel canto del quattrocento - be more precisely identified than they have been until now, both in musicological research…
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AI-SUPPORTED SYNTHESIS OF SHEPARD-RISSET FREQUENCY SETS
Implementation of the new sound synthesis and analysis method in music composition.
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The Apinaye teaching and learning process as observed in the manufacturing of their musial instruments
This dissertation aims to establish a dialogue between ethnomusicology (more specifically indigenous organology), the anthropology of art and the culture of the Apinaye peoples, in order to understand how the musical objects of these peoples are learned and taught, and thus to understand its musical…
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Klankwerelden - The 20th century of Reinbert de Leeuw
Worlds of sound is important for everyone who is interested in listening to music of the 20th century or for anyone involved in studying or performing contemporary music. The central question is how to interpret music in case the performer is not willing to depend on personal taste or conventions.
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Sound & Score – Essays on Sound, Score and Notation
Sound & Score brings together music expertise from prominent international researchers and performers exploring the intimate relations between sound, score and notation, and the artistic possibilities that this relationship yields for performers, composers and listeners.
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Knowledge and creation in historical performance practice- Inextricable partners in the tacit dimension
Johannes Boer's research intends to question the way explicit knowledge is applied in order to restore and perform music from the past with the intention to get as close as possible to its original meaning.
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Impact and Relevance
Below some examples of ACPA projects that have a meaningful impact on arts and society. This page will be refreshed every now and then with other projects that exhibit how arts research bears upon our perception, our understanding, and our relationship to the world and other people.
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Poetry, rhythm, and meter: Textsetting
Knowledge and culture subproject 4:
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Jed Wentz
Jed Wentz is a University Lecturer at the Academy of Creative and Performing Arts of the Leiden University. He earned a PhD from the docARTES programme and his doctoral thesis Gesture, Affect and Rhythmic Freedom in the Performance of French Tragic Opera from Lully to Rameau explored how historical…
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UNACCOMPANIED IMPROVISATION - The Multi-textural Nature of the Guitar
Why does the textural gap between the music that one can improvise and that which one can practice and learn to play (as in completely written-out music) seem to be bigger in the case of the guitar than, for example, in that of keyboard instruments?
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Discantare Super Planum Cantum- New Approaches to Vocal Polyphonic Improvisation 1300-1470
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or ‘early’ music. Ensembles perform pieces written by known or lesser known composers, which the listener can revisit by listening to recordings or reading a score.
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Vokales Instrumentalspiel in der zweiten Hälfte des 18. Jahrhunderts.
Die Aufführungspraxis italienischer Instrumentalmusik in der Auseinandersetzung mit Vokalmusik und Text: Quellen und moderne Umsetzung
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Merenungkan Gema, Pemjumpaan Musikal Indonesia-Belanda
Indonesian translation of the book Recollecting Resonances from authors Bart Barendregt and Els Bogaerts.
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(De)Composing Immersion
This dissertation explores various perspectives on the term immersion, and its relation with, and transformation through, a composer’s practice.
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COMPOSING FOR ORGAN AND ELECTRONICS: SPACES AND PRACTICES
My research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
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Prolegomena for a Jewish Musicologica
Can we really speak about Jewish musicological, musical thought and what is the essence of this thought?
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La Cetra Cornuta : the Horned Lyre of the Christian World
What was the stringed instrument known in medieval and early Renaissance Italy as “cetra”?